Mauricio Jiménez is a visual artist and independent researcher exploring how artistic practice can become a way of thinking and inhabiting the world. His work moves across portraiture, drawing, photography, and territorial practice, investigating the relations between image, body, memory, territory, and living systems.
Drawing on vitalist and relational thought—from Spinoza, Zambrano to Humberto Maturana—his practice searches for forms of poetic knowledge capable of moving beyond anthropocentric and extractive modes of seeing. His ongoing research engages Indigenous American territories and visual cultures not as living fields of relation, memory, and situated knowledge.
His research emerges from a conviction that images are sites to re–image futures.
Working through situated artistic practice, Jiménez develops evolving bodies of work as living archives—where making, observing, reflecting, and remembering become interconnected forms of art.
Mauricio Jiménez (b. 1988, Santiago, Chile) is a visual artist and researcher based in Germany, whose practice explores the intersection between arts and philosophical inquiry into post-Anthropocene.
Art classes At the studio & online
Charcoal and Drawing Tehcniques
Empfohlen für Fauna oder Porträt, aber du kannst natürlich auch alles andere weiterlernen und erkunden. Es ist irgendwie, die Energie durch den eigenen Körper bewegen.
Arts & Aesthetics
Hier entdecken wir die Reise ins Leben der Natur. Echt crazy. Hast du vielleicht was aus deinem Garten oder dem Wald im Kopf? Z.B. weißt du, wie viele Punkte eine Blume ergänzt? Mind-blowing Thema.
Philosophy & Ästhethic Articles
16
Mar
Orta Water: From Anthropocene artifacts to new philosophical materialisms
Critical exploration on how has the technical artefact introduced a paradigm of hybridisation into mediation as a founding factor in understanding a post-humanist system and entering into the realm of new materialism (J. Bennett) for anthropocenic ecologies.
16
Mar
Orta Water:Desde artefactos del Antropoceno a nuevos materialismos filosóficos
Este ensayo examina la usurpación de la función ontológica humana por el software contemporáneo. A partir de la noción heideggeriana del Dasein como «claro» (Lichtung) donde el ser se desoculta, se argumenta que el software ha interceptado el proceso técnico mediante el cual el humano se revelaba a sí mismo y comprendía el mundo.